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・ Catephia holophaea
・ Catephia iridocosma
・ Catephia javensis
・ Categorical grant
・ Categorical imperative
・ Categorical logic
・ Categorical perception
・ Categorical proposition
・ Categorical quantum mechanics
・ Categorical quotient
・ Categorical ring
・ Categorical set theory
・ Categorical variable
・ Categories (Aristotle)
・ Categories (Peirce)
Categories for the Description of Works of Art
・ Categories for the Working Mathematician
・ Categories of Hadith
・ Categories of New Testament manuscripts
・ Categories of Polish rail stations
・ Categories of protected areas of Ukraine
・ Categories of rallies
・ Categorification
・ Categorization
・ Category
・ Category (Kant)
・ Category (mathematics)
・ Category 1
・ Category 1 cable
・ Category 2


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Categories for the Description of Works of Art : ウィキペディア英語版
Categories for the Description of Works of Art
Categories for the Description of Works of Art (CDWA) describes the content of art databases by articulating a conceptual framework for describing and accessing information about works of art, architecture, other material culture, groups and collections of works, and related images. The CDWA includes 532 categories and subcategories. A small subset of categories are considered core in that they represent the minimum information necessary to identify and describe a work. The CDWA includes discussions, basic guidelines for cataloging, and examples. 〔http://www.getty.edu/research/conducting_research/standards/cdwa/introduction.html CDWA Introduction〕
==Purpose==
The Categories provide a framework to which existing art information systems can be mapped and upon which new systems can be developed. In addition, the discussions in the CDWA identify vocabulary resources and descriptive practices that will make information residing in diverse systems both more compatible and more accessible.
The use of the CDWA framework will contribute to the integrity and longevity of data and will facilitate its inevitable migration to new systems as informational technology continues to evolve. Above all, it will help to give end-users consistent, reliable access to information, regardless of the system in which it resides.
These guidelines hopefully provide a common ground for reaching agreement on what information should be included in art information systems, and what information will be shared or exchanged with other institutions or systems. Target users are curators, registrars, researchers, information managers, and systems vendors.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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